Queer Asian Identities in Contemporary Aotearoa New Zealand
One Foot Out of the Closet
Author(s): Sidney Gig-Jan Wong

Explore the intersection of Asian identity and queer identity in Aotearoa New Zealand through the autoethnographic reflections of a Cantonese-Tauiwi queer man.

Publication Date 22 August, 2023 Available in all formats
ISBN: 9781915271488
Pages: 275

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A Cantonese-Tauiwi queer man reflects on his lived experiences as a means to explore the intersection of Asian-ness and queerness in Aotearoa New Zealand.

Queer Asian communities in Aotearoa New Zealand can suffer erasure caused by the dominance of whiteness in queer spaces. Written as a deliberate challenge to this invisibility, author Sidney Gig-Jan Wong 黃吉贊 reflects on his life and upbringing in order to explore the intersections of his own identity and ongoing coming out experience, and also highlight the perspectives of a minoritized community.

Ideal reading for students of LGBTQIA+ studies and Asian studies, as well as anthropology and sociology, this book draws on queer theory and the author’s life in a way that personalises concepts and highlights the humanity in the social sciences.

  • Cover
  • Half Title
  • Title Page
  • Copyright Page
  • v
  • viviiAcknowledgements
  • viiiixContents
  • xxiContent warning
  • xiixiiiLearning objectives
  • Prologue
  • 45Content warning
  • Introduction
    • Ōtepoti, Spring 2022
    • Racialised bodies
      • Te Awakairangi, Autumn 2022
    • Queer identities
      • Ōtautahi, Autumn 2019
    • Closet spaces
      • Ōtautahi, Summer 2022
  • 29Content warning
  • 1 to leave one’s homeland
    • Ōtautahi, Summer 2020
    • Yellow peril
      • Haehaenui, Winter 2013
    • Eternal migrants
    • Model minorities
  • 45Content warning
  • 2 to lay roots in the soil
    • Mumbai, Winter 2023
    • Unnatural acts
      • Te Whanganui-a-Tara, Autumn 2021
    • Role models
      • Cologne, Summer 2012
    • Self-exploration
      • Te Awakairangi, Summer 2012
  • 6465Content warning
  • 3 to navigate the world alone
    • Ōtautahi, Summer 2013
    • An education
      • Ōtautahi, Autumn 2013
    • Incognito mode
      • Ōtautahi, Spring 2013
    • Quake city
      • Ōtautahi, Spring 2013
  • 81Content warning
  • 4 to obtain enlightenment
    • Ōtautahi, Summer 2014
    • Sudden realisation
      • Ōtautahi, Spring 2014
    • Forbidden knowledge
      • Ōtautahi, Spring 2014
    • Impulsive Decisions
      • Ōtautahi, Summer 2014
  • 97Content warning
  • 5 to obsess without reason
    • Rotorua, Summer 2015
    • Finding space
      • Ōtautahi, Spring 2015
    • Submissive bodies
      • Ōtautahi, Spring 2015
    • From the margins
      • Ōtautahi, Spring 2015
  • 113Content warning
  • 6 to return to one’s roots
    • Mumbai, Winter 2023
    • Unlikely match
      • Hong Kong, Summer 2015
    • Diverging worlds
      • Hong Kong, Summer 2015
    • Next station
      • Hong Kong, Summer 2015
  • 131Content warning
  • 7 to find comfort in a hopeless situation
    • Ōtautahi, Winter 2015
    • Crisis of faith
      • Te Whanganui-a-Tara, Autumn 2015
    • Chill out time
      • Ōtautahi, Winter 2015
    • Tipping point
      • Ōtautahi, Spring 2015
  • 145Content warning
  • 8 to sail against the tide
    • Ōtautahi, Summer 2018
    • Looking out
      • Ōtautahi, Autumn 2023
    • Opening up
      • Te Awakairangi, Summer 2018
    • Letting in
      • Te Awakairangi, Spring 2019
  • 166167Content warning
  • 9 to long for a memory
    • Ōtautahi, Spring 2016
    • Unsettled boundaries
      • Ōtautahi, Summer 2016
    • Long distance
      • Ōamaru, Autumn 2016
    • Letting go
      • Ōtautahi, Spring 2019
  • 187Content warning
  • 10 to inherit the teachings of one’s forebears
    • Ōtautahi, Winter 2019
    • Out at work
      • Ōtautahi, Spring 2018
    • Holding out for a hero
      • Ōtautahi, Spring 2018
    • Reluctant leadership
      • Ōtautahi, Summer 2019
  • 203Content warning
  • 11 to love one’s imperfections
    • Ōtautahi, Summer 2019
    • Living in a bubble
      • Ōtautahi, Summer 2020
    • One step at a time
      • Te Awakairangi, Autumn 2021
    • Circuit breaker
      • Ōtautahi, Summer 2022
  • 221Content warning
  • 12 to stand without faltering
    • Mumbai, Winter 2022
    • Our darkest day
      • Tāmaki Makaurau, Autumn 2021
    • Decentring whiteness
      • Ōtautahi, Spring 2022
    • Stand in solidarity
      • Ōtautahi, Summer 2023
  • Epilogue
    • Hong Kong, Winter 2005
  • 246247Recommended projects
  • 251Recommended further reading
  • 252253References
  • 258Index

Sidney Gig-Jan Wong 黃吉贊 (he/him, any pronouns with respect) is a PhD candidate at the Geospatial Research Institute Toi Hangarau, University of Canterbury (UC). He has a BSc in Linguistics, Master of Linguistics, and Master of Applied Data Science from UC.

About The Book

A Cantonese-Tauiwi queer man reflects on his lived experiences as a means to explore the intersection of Asian-ness and queerness in Aotearoa New Zealand.

Queer Asian communities in Aotearoa New Zealand can suffer erasure caused by the dominance of whiteness in queer spaces. Written as a deliberate challenge to this invisibility, author Sidney Gig-Jan Wong 黃吉贊 reflects on his life and upbringing in order to explore the intersections of his own identity and ongoing coming out experience, and also highlight the perspectives of a minoritized community.

Ideal reading for students of LGBTQIA+ studies and Asian studies, as well as anthropology and sociology, this book draws on queer theory and the author’s life in a way that personalises concepts and highlights the humanity in the social sciences.

Table of Contents
  • Cover
  • Half Title
  • Title Page
  • Copyright Page
  • v
  • viviiAcknowledgements
  • viiiixContents
  • xxiContent warning
  • xiixiiiLearning objectives
  • Prologue
  • 45Content warning
  • Introduction
    • Ōtepoti, Spring 2022
    • Racialised bodies
      • Te Awakairangi, Autumn 2022
    • Queer identities
      • Ōtautahi, Autumn 2019
    • Closet spaces
      • Ōtautahi, Summer 2022
  • 29Content warning
  • 1 to leave one’s homeland
    • Ōtautahi, Summer 2020
    • Yellow peril
      • Haehaenui, Winter 2013
    • Eternal migrants
    • Model minorities
  • 45Content warning
  • 2 to lay roots in the soil
    • Mumbai, Winter 2023
    • Unnatural acts
      • Te Whanganui-a-Tara, Autumn 2021
    • Role models
      • Cologne, Summer 2012
    • Self-exploration
      • Te Awakairangi, Summer 2012
  • 6465Content warning
  • 3 to navigate the world alone
    • Ōtautahi, Summer 2013
    • An education
      • Ōtautahi, Autumn 2013
    • Incognito mode
      • Ōtautahi, Spring 2013
    • Quake city
      • Ōtautahi, Spring 2013
  • 81Content warning
  • 4 to obtain enlightenment
    • Ōtautahi, Summer 2014
    • Sudden realisation
      • Ōtautahi, Spring 2014
    • Forbidden knowledge
      • Ōtautahi, Spring 2014
    • Impulsive Decisions
      • Ōtautahi, Summer 2014
  • 97Content warning
  • 5 to obsess without reason
    • Rotorua, Summer 2015
    • Finding space
      • Ōtautahi, Spring 2015
    • Submissive bodies
      • Ōtautahi, Spring 2015
    • From the margins
      • Ōtautahi, Spring 2015
  • 113Content warning
  • 6 to return to one’s roots
    • Mumbai, Winter 2023
    • Unlikely match
      • Hong Kong, Summer 2015
    • Diverging worlds
      • Hong Kong, Summer 2015
    • Next station
      • Hong Kong, Summer 2015
  • 131Content warning
  • 7 to find comfort in a hopeless situation
    • Ōtautahi, Winter 2015
    • Crisis of faith
      • Te Whanganui-a-Tara, Autumn 2015
    • Chill out time
      • Ōtautahi, Winter 2015
    • Tipping point
      • Ōtautahi, Spring 2015
  • 145Content warning
  • 8 to sail against the tide
    • Ōtautahi, Summer 2018
    • Looking out
      • Ōtautahi, Autumn 2023
    • Opening up
      • Te Awakairangi, Summer 2018
    • Letting in
      • Te Awakairangi, Spring 2019
  • 166167Content warning
  • 9 to long for a memory
    • Ōtautahi, Spring 2016
    • Unsettled boundaries
      • Ōtautahi, Summer 2016
    • Long distance
      • Ōamaru, Autumn 2016
    • Letting go
      • Ōtautahi, Spring 2019
  • 187Content warning
  • 10 to inherit the teachings of one’s forebears
    • Ōtautahi, Winter 2019
    • Out at work
      • Ōtautahi, Spring 2018
    • Holding out for a hero
      • Ōtautahi, Spring 2018
    • Reluctant leadership
      • Ōtautahi, Summer 2019
  • 203Content warning
  • 11 to love one’s imperfections
    • Ōtautahi, Summer 2019
    • Living in a bubble
      • Ōtautahi, Summer 2020
    • One step at a time
      • Te Awakairangi, Autumn 2021
    • Circuit breaker
      • Ōtautahi, Summer 2022
  • 221Content warning
  • 12 to stand without faltering
    • Mumbai, Winter 2022
    • Our darkest day
      • Tāmaki Makaurau, Autumn 2021
    • Decentring whiteness
      • Ōtautahi, Spring 2022
    • Stand in solidarity
      • Ōtautahi, Summer 2023
  • Epilogue
    • Hong Kong, Winter 2005
  • 246247Recommended projects
  • 251Recommended further reading
  • 252253References
  • 258Index
About The Author

Sidney Gig-Jan Wong 黃吉贊 (he/him, any pronouns with respect) is a PhD candidate at the Geospatial Research Institute Toi Hangarau, University of Canterbury (UC). He has a BSc in Linguistics, Master of Linguistics, and Master of Applied Data Science from UC.

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