Puentes Sonoros (Sonic Bridges)
Three Moments of Mexican Music Making in Los Angeles
Author(s): George Lipsitz

In Puentes Sonoros, George Lipsitz explores how Mexican music in LA—from Rock to Banda—acts as a social force. Lipsitz shows how these "sonic bridges" create community and resistance against political change through convivial co-creation.

Collection: Latinx Studies
Publication Date 25 February, 2026 Available in all formats
ISBN: 9781918026313
Pages: 152

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How has Mexican music in Los Angeles served as more than just entertainment, acting instead as a vital tool for community survival and social change across generations?

In Puentes Sonoros (Sonic Bridges), distinguished scholar George Lipsitz explores how music has functioned as a primary register of the demographic and political shifts affecting Mexican-origin communities since the 1960s. Through a series of compelling case studies, George traces the evolution of three distinct musical movements: the emergence of Chicano rock as a defiance against commercial fragmentation, the rise of Banda as a shield against the labor exploitation of the 1990s, and the contemporary growth of FandangObon. By analyzing these "sonic bridges," George reveals a hidden history of Los Angeles, demonstrating how convivial co-creation and performance call new communities into being and transform expressive culture into a powerful social force.

This book is a must-read for scholars of Ethnomusicology and Chicano/a Studies, as well as urban historians interested in the social fabric of Los Angeles. It will also deeply resonate with community organizers and musicians who view art as a form of resistance and solidarity.

  • Cover
  • Half-Title Page
  • Title Page
  • Copyright Page
  • Abstract
  • Table of Contents
  • Learning objectives
  • Introduction
    • Who writes?
  • 1 Cruising around the historical bloc: Postmodernism and popular music in East Los Angeles
    • Chicano rock music: Sonic Bridges
    • Chicano rock as grass roots postmodern cultural production
    • Pausing to ponder puentes 1
  • 2 Banda: The music of the migrant class struggle
    • The Banda boom
    • Banda as an expression of working-class consciousness
    • Pausing to ponder puentes 2
  • 3 FandangObon: Amplification, counter publics, and fugitive spaces of belonging in Los Angeles
    • Amplification
    • Fugitive spaces of belonging
    • FandangObon
      • The local and the politics of location
      • Improvisation and amplification
    • Pausing puentes 3
  • Conclusion
    • Puentes Sonoros today
  • Notes
  • Recommended further readings
  • Index

George Lipsitz is Research Professor Emeritus at UC Santa Barbara and an award-winning author of numerous books, including The Possessive Investment in Whiteness.

About The Book

How has Mexican music in Los Angeles served as more than just entertainment, acting instead as a vital tool for community survival and social change across generations?

In Puentes Sonoros (Sonic Bridges), distinguished scholar George Lipsitz explores how music has functioned as a primary register of the demographic and political shifts affecting Mexican-origin communities since the 1960s. Through a series of compelling case studies, George traces the evolution of three distinct musical movements: the emergence of Chicano rock as a defiance against commercial fragmentation, the rise of Banda as a shield against the labor exploitation of the 1990s, and the contemporary growth of FandangObon. By analyzing these "sonic bridges," George reveals a hidden history of Los Angeles, demonstrating how convivial co-creation and performance call new communities into being and transform expressive culture into a powerful social force.

This book is a must-read for scholars of Ethnomusicology and Chicano/a Studies, as well as urban historians interested in the social fabric of Los Angeles. It will also deeply resonate with community organizers and musicians who view art as a form of resistance and solidarity.

Table of Contents
  • Cover
  • Half-Title Page
  • Title Page
  • Copyright Page
  • Abstract
  • Table of Contents
  • Learning objectives
  • Introduction
    • Who writes?
  • 1 Cruising around the historical bloc: Postmodernism and popular music in East Los Angeles
    • Chicano rock music: Sonic Bridges
    • Chicano rock as grass roots postmodern cultural production
    • Pausing to ponder puentes 1
  • 2 Banda: The music of the migrant class struggle
    • The Banda boom
    • Banda as an expression of working-class consciousness
    • Pausing to ponder puentes 2
  • 3 FandangObon: Amplification, counter publics, and fugitive spaces of belonging in Los Angeles
    • Amplification
    • Fugitive spaces of belonging
    • FandangObon
      • The local and the politics of location
      • Improvisation and amplification
    • Pausing puentes 3
  • Conclusion
    • Puentes Sonoros today
  • Notes
  • Recommended further readings
  • Index
About The Author

George Lipsitz is Research Professor Emeritus at UC Santa Barbara and an award-winning author of numerous books, including The Possessive Investment in Whiteness.

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