Metal Music, Masculinity, and Mass Shootings
A Cis-Woman’s Autoethnographic Account of Concerts, Culture, and PTSD

Explore the complex world of heavy metal concerts via the lived experiences of a woman navigating a genre which perpetuates hypermasculinity to the point of dangerous and violent extremes.

Collection: Gender Studies
Publication Date 16 January, 2026 Available in all formats
ISBN: 9781916985438
Pages: 240

PAPERBACK

EBOOK (EPUB)

EBOOK (PDF)

What can experiences of sexism and violence in music teach us about the imminent dangers perpetuated by hypermasculinity?

Drawing from her own experience as a cis-woman in the realm of heavy metal music, author Deborah Kay Phillips critiques the genre’s role in amplifying hypermasculinity to the point of violence. Exploring the intersections of gender, gun culture, and mental health, Metal Music, Masculinity, and Mass Shootings follows Deborah’s first-hand experience of a metal concert mass shooting, and the resulting reflection on the issues surrounding metal music in the throes of PTSD. Deborah argues by comparing her own experiences to the academic research that the toxic, violent, and misogynistic foundations of the genre produce real world consequences that must be examined for transformation.

Providing an important critique of a male-dominated genre and the repercussions of its toxic masculinity, this book is ideal reading for students of Feminism, Gender Studies, Music Studies, and Mental Health.

Contents

    • PART IConcert chaos
    • PART IIThe aftermath of a tragedy
    • PART IIIToxic masculinity, violence, and metal music
    • PART IVMy journey into metal culture
    • PART VA feminist metalhead?
    • PART VIThe reunion and the aftermath of COVID-19
  • Deborah Kay Phillips is a Professor of Communication Studies at Muskingum University.

    About The Book

    What can experiences of sexism and violence in music teach us about the imminent dangers perpetuated by hypermasculinity?

    Drawing from her own experience as a cis-woman in the realm of heavy metal music, author Deborah Kay Phillips critiques the genre’s role in amplifying hypermasculinity to the point of violence. Exploring the intersections of gender, gun culture, and mental health, Metal Music, Masculinity, and Mass Shootings follows Deborah’s first-hand experience of a metal concert mass shooting, and the resulting reflection on the issues surrounding metal music in the throes of PTSD. Deborah argues by comparing her own experiences to the academic research that the toxic, violent, and misogynistic foundations of the genre produce real world consequences that must be examined for transformation.

    Providing an important critique of a male-dominated genre and the repercussions of its toxic masculinity, this book is ideal reading for students of Feminism, Gender Studies, Music Studies, and Mental Health.

    Table of Contents

    Contents

    • PART IConcert chaos
    • PART IIThe aftermath of a tragedy
    • PART IIIToxic masculinity, violence, and metal music
    • PART IVMy journey into metal culture
    • PART VA feminist metalhead?
    • PART VIThe reunion and the aftermath of COVID-19
  • About The Author

    Deborah Kay Phillips is a Professor of Communication Studies at Muskingum University.

    Rate this Book

    Tell us what you think.